Please note: The upper exhibition rooms are currently not accessible to visitors with reduced mobility.
Show diversity,
experience education

Gerhard Kettner

Drawings

1. Dec 18 3. Mar 19

Gerhard Kettner (1928–1993) would have turned 90 this year. It is already 15 years since his last exhibition in Dresden. We are taking both of these as an opportunity to dedicate an exhibition to the draughtsman – for his works, including interiors, landscapes, nudes and, above all, portraits, deserve to be re-examined by every generation and thus taken to heart.

Kettner drew people from his family and circle of friends in particular so often until he had found a valid expression of his perception, stripped of indifference and chance. In striking self-portraits, he traced the traces of life on his own face. Alongside these, he produced playful, free-form sketches in which he, as it were, spun tales with his pencil. These drawings convey Kettner’s curiosity about all the variations of human posture, gait and existence, as well as his genuine interest in others, which he continually reawakened. Kettner himself stood in the Dresden artistic tradition through his teachers Max Schwimmer and, above all, Hans Theo Richter, whilst also seeking inspiration throughout European art history.

With this exhibition, the Leonhardi-Museum is once again devoting itself to its special "Drawing Art" section and at the same time continuing to weave the web of Dresden art connections: some of Kettner's students, such as Hanns Schimansky and Holger John, as well as successors to his professorship at the Dresden Academy of Fine Arts, such as Elke Hopfe and Wolfram Adalbert Scheffler, have already been on show in our museum.

Dr Fröhlich-Schauseil spoke at the opening of the exhibition on Friday 30 November at 8pm.

"Regardless of what his work meant to the artist himself and how it was understood in the temporal context of the half-century from 1943 to 1992, Gerhard Kettner's drawings allow us to experience something of the uniqueness of the individual person and their perception. Right to the end [...] it is the bodies and faces of people that are of enduring interest both as an occasion for drawing and for contemplation in a double sense."
- ANKE FRÖHLICH-SCHAUSEIL -

Anke Fröhlich-Schauseil has written a detailed essay on the exhibition and compiled it and the accompanying catalogue together with Bernd Heise, with great help from Marlies Giebe. The exhibition also includes loans from the Kupferstich-Kabinett Dresden, the Brandenburg State Museum of Modern Art and private collections. Around 65 drawings from all phases of Kettner's oeuvre will be on display, as well as a number of sketches.


KI generiert: Das Bild zeigt einen leeren Raum in einer Kunstgalerie mit gerahmten Kunstwerken an den Wänden. Der Raum hat einen Holzfußboden und eine große Deckenbeleuchtung.Ausstellungsansicht | © Leonhardi-Museum / PR

Biography
Gerhard Kettner was born in Mumsdorf/Thuringia in 1928. After an apprenticeship as a lithographer, military service and war captivity, he studied at the University of Fine Arts Weimar and the HfBK Dresden under Hans Grundig, Max Schwimmer and Hans Theo Richter, among others. From 1961 until shortly before his death in 1993, he taught at the HfBK, where he was Rector from 1970 to 1974 and from 1979 to 1981.

KI generiert: Es handelt sich um ein Buch mit einem grauen Einband, auf dem eine Illustration eines Gesichts in Blau zu sehen ist. Der Titel des Buches scheint teilweise erkennbar zu sein.

Catalogue

A catalogue was published to accompany the exhibition.

order