Die oberen Ausstellungsräume sind aktuell nicht barrierefrei erreichbar.
Show diversity,
experience education

Gerhard Kettner

Drawings

1. Dec 18 3. Mar 19

AI generated: The image shows a sketchy drawing of a human face with striking, rough lines. It appears to be an older, pensive man with deep-set eyes and a serious expression."Portrait of Heinrich Drake", 1988, graphite, 52 × 35 cm | © Gerhard Kettner

Gerhard Kettner (1928 - 1993) would have been 90 years old this year. It has already been 15 years since his last exhibition in Dresden. We are taking this as an opportunity to dedicate an exhibition to the draughtsman - because his works, including interiors, landscapes, nudes and, above all, portraits, deserve to be looked at again by every generation and thus mentally taken possession of.

Kettner drew people from his circle of family and friends, in particular, until he had found a valid expression for his perception, purged of indifference and coincidence. He explored the traces of life in his own face in impressive self-portraits. In addition, he created playfully free sheets in which he fabulated, as it were, with his pencil. These drawings convey Kettner's curiosity for all varieties of human standing, walking and being, his constantly reawakened, genuine interest in his counterpart. Through his teachers Max Schwimmer and above all Hans Theo Richter, Kettner himself was part of the Dresden art tradition and also sought inspiration from the entire history of European art.

With this exhibition, the Leonhardi-Museum is once again devoting itself to its special "Drawing Art" section and at the same time continuing to weave the web of Dresden art connections: some of Kettner's students, such as Hanns Schimansky and Holger John, as well as successors to his professorship at the Dresden Academy of Fine Arts, such as Elke Hopfe and Wolfram Adalbert Scheffler, have already been on show in our museum.

Dr Fröhlich-Schauseil spoke at the opening of the exhibition on Friday 30 November at 8pm.

"Regardless of what his work meant to the artist himself and how it was understood in the temporal context of the half-century from 1943 to 1992, Gerhard Kettner's drawings allow us to experience something of the uniqueness of the individual person and their perception. Right to the end [...] it is the bodies and faces of people that are of enduring interest both as an occasion for drawing and for contemplation in a double sense."
- ANKE FRÖHLICH-SCHAUSEIL -

Anke Fröhlich-Schauseil has written a detailed essay on the exhibition and compiled it and the accompanying catalogue together with Bernd Heise, with great help from Marlies Giebe. The exhibition also includes loans from the Kupferstich-Kabinett Dresden, the Brandenburg State Museum of Modern Art and private collections. Around 65 drawings from all phases of Kettner's oeuvre will be on display, as well as a number of sketches.


KI generiert: Das Bild zeigt einen leeren Raum in einer Kunstgalerie mit gerahmten Kunstwerken an den Wänden. Der Raum hat einen Holzfußboden und eine große Deckenbeleuchtung.Ausstellungsansicht | © Leonhardi-Museum / PR

Biography
Gerhard Kettner was born in Mumsdorf/Thuringia in 1928. After an apprenticeship as a lithographer, military service and war captivity, he studied at the University of Fine Arts Weimar and the HfBK Dresden under Hans Grundig, Max Schwimmer and Hans Theo Richter, among others. From 1961 until shortly before his death in 1993, he taught at the HfBK, where he was Rector from 1970 to 1974 and from 1979 to 1981.

Catalogue

A catalogue was published to accompany the exhibition.

order