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Micha Ullman

Sandworks

15. Sep 11 6. Nov 11

AI generated: The image shows a white room with two wooden doors, in which numerous white leaves lie on the floor, some of which are covered in red paint. There is a large light source on the ceiling in the room.»Sandwerk«, 2011, Leonhardi-Museum Dresden | Fotografie: Werner Lieberknecht

"Sandwerk" is an exhibition about books, or more precisely about the absence of books. Micha Ullman, born in Tel Aviv in 1939, has created a sand pile in the Leonhardi Museum that makes the traces of these books visible on an area of 100 square metres like a large drawing. Using the fine-grained red sand of his native Israel, the artist creates shadows of this absence. Ullman himself compares the process he has developed to photography, in that time, distance and light are defining moments in this work. However, it can also be understood as a flat relief.
These ambiguous references are characteristic of Micha Ullman's work. The subject of the book is of central importance to Jewish religion and culture. Judaism was the first religion to be revealed through a "book" - the Torah. At the same time, the book is a metaphor. And its destruction a reality. Understood in this way, the work also refers to the first book burning by the National Socialists on 8 March 1933 in Dresden and is linked to Ullman's "Library" memorial on Bebelplatz in Berlin.

AI generated: A man wearing a protective mask throws a cloud of reddish dust into the air in a room full of scattered books.© Leonhardi-Museum / PR

Micha Ullman, member of the Berlin Academy of Arts and professor emeritus at the Stuttgart Art Academy, lives near Tel Aviv. He has become known far beyond the borders of his country and far beyond those of Germany, not only with the aforementioned memorial to the burning of books on 10 May 1933. He represented his country at the Venice Biennale in 1980 and twice at the Biennale in Sao Paulo. Invitations to "documenta 8" (1987) and "documenta IX" (1992) and to other important international exhibitions repeatedly demonstrated the importance of his work. in 1989 he was a DAAD scholarship holder in Berlin. In addition to the memorial on Bebelplatz, he has created two other works for public spaces in Berlin: the sculpture "Niemand" (1990) in Lindenstraße opposite the Jewish Museum and the "Blatt" (1997), which traces the floor plan of a synagogue destroyed by the Nazis with benches not far away, at Axel-Springer-Straße 48 - 50. Works for public spaces have also been created in other German cities such as Stuttgart, Heidelberg and Bamberg. He has also worked internationally: in Italy, Finland, Australia, Poland and elsewhere. The Museum Wiesbaden honoured him with a major exhibition in 2003 and a retrospective of his work is currently on show at the reopened Israel Museum in Jerusalem. Among other awards, the artist received the Käthe Kollwitz Prize from the Berlin Academy of Arts in 1995 and the Israel Prize, the country's highest honour for the arts, in 2009.

AI generated: A man kneels on the floor and looks at a large work of art consisting of scattered brown and white geometric shapes. The scene gives the impression that the man is intensively studying or working on the artwork.© Leonhardi-Museum / PR

Ullman, who comes from a family that emigrated from Thuringia to Palestine in 1933, has dedicated his entire oeuvre to questions of memory, disappearance, absence and traces. The red sand of his homeland is the central motif of his work, which is often reduced to the extreme and yet cannot simply be categorised as minimalist. Every gesture, every form carries a meaning that goes far beyond the material, without being understood as symbolic. Micha Ullman's works are open spaces of thought and remembrance. His aesthetics are rooted in Jewish culture and at the same time can be experienced universally.

The awarding of the Gerhard Altenbourg Prize by the Lindenau Museum Altenburg was the occasion for the double exhibition in Altenburg and Dresden. From 11 September to 11 December, the Lindenau Museum presented the exhibition "Bergwerk" (Mine), for which Micha Ullman created a new expansive work that refers to his family's Thuringian origins.

Catalogue

A slipcase with three catalogues was published for the exhibition.