Show diversity,
experience education

Petra Kasten

Structure of matter

21. Mar 20 27. Sep 20

AI generated: The image shows a complex grid pattern of grey lines on a multicoloured background. The grid lines overlap and allow the background to show through in some places."Resonance" (detail), 2018, oil paint/canvas, 140 × 150 cm | © Petra Kasten

What is the structure of matter, of things, of living beings? You can see it, but you can't possibly draw it, says Petra Kasten in a conversation about the current exhibition at the Leonhardi Museum. This is how she came to create the structures from her inner intuition. However, in her artistic work, in graphics, drawings and paintings, she not only examines the structures of the tangible, but also of the invisible, the non-obvious. The structure of the seemingly superficial is only one level; what appears behind it is just as important. Sometimes it is the actual nature of the picture support, sometimes typography that shines through under the opaque primer or remains standing confidently. Sometimes it is further structures, areas of colour or patterns that lend support to a maximally simplified, barely figurative motif or stand in obvious contradiction to it and thus create breaks.

In her grid paintings, Petra Kasten pushes the play of layers to infinity. On large-format canvases, she abandons the realm of the representational once and for all and creates overlapping networks of vertical, horizontal and intersecting lines that allow the viewer to penetrate layer by layer into uncanny depths. Or not: in some paintings, the viewer's gaze is thrown back from the uppermost grid, leaving what lies behind almost inaccessible. On other canvases, the first layers seem to blur into a veil, a membrane that turns the infinity behind it into something uncertain. For Petra Kasten, the idea of the structure of matter always remains a search, a circling around a riddle that will probably never be definitively solved. Perhaps this is precisely the appeal of her work.

"To approach the work of Petra Kasten means to deal with the question of the self-organised whole - to familiarise oneself with the structures that are omnipresent in the artist's world view:
'If all the ordered, scattered and tangled lines of our surroundings were dark strokes, wouldn't the atmosphere appear almost black to us?" (Petra Kasten)"
- EMILIA KRELLMANN -

As a festive opening of the exhibition was not possible, a finissage was held on Saturday, 26 September from 3 pm. Matthias Flügge spoke at the event.


KI generiert: Das Bild zeigt einen leeren Ausstellungsraum mit Holzboden und mehreren abstrakten Gemälden, die an den weißen Wänden hängen. Das natürliche Licht fällt durch ein großes Oberlicht in den Raum.Ausstellungsansicht | © Leonhardi-Museum / PR

Biographical details
Petra Kasten, born in Dresden in 1955, worked as a saleswoman for artists' supplies after leaving school and completed an evening course at the HfBK Dresden. After completing her regular studies (painting and graphics, also at the HfBK Dresden), she founded "Leitwolf-Verlag" in 1983 with Lutz Fleischer and Andreas Hegewald and "Schlüsselbundverlag" in 1986, also with Lutz Fleischer. After completing her masterclass with Prof Günther Horlbeck (1986-88), Petra Kasten was a member of the "Obergrabenpresse". In the 1990s and 2000s, she spent time at the Villa Massimo (Rome), in Columbus/Ohio, Beijing, Bad Ems and Koblenz, among others, as part of various scholarships. Petra Kasten has lived and worked in Pulsnitz near Dresden since 2017.

Catalogue

A catalogue was published to accompany the exhibition.

order