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Petra Kasten

Structure of matter

21. Mar 20 27. Sep 20

What is the structure of matter, of objects, of living beings? One can see it, but it is impossible to draw it, according to Petra Kasten in a conversation about her current exhibition at the Leonhardi Museum. This is how she came to create these structures from her inner intuition. Yet in her artistic work – in prints, drawings and paintings – she explores not only the structures of the tangible, but also those of the invisible and the non-obvious. The structure of what appears to be on the surface is merely one layer; just as important is what shines through from behind it. Sometimes it is the actual texture of the picture support; sometimes it is typography that shines through the opaque undercoat or stands out confidently on its own. At other times, it is further structures, areas of colour or patterns that lend support to a maximally simplified, barely representational motif, or that stand in obvious contradiction to it, thereby creating breaks.

In her grid paintings, Petra Kasten pushes the play of layers to infinity. On large-format canvases, she abandons the realm of the representational once and for all and creates overlapping networks of vertical, horizontal and intersecting lines that allow the viewer to penetrate layer by layer into uncanny depths. Or not: in some paintings, the viewer's gaze is thrown back from the uppermost grid, leaving what lies behind almost inaccessible. On other canvases, the first layers seem to blur into a veil, a membrane that turns the infinity behind it into something uncertain. For Petra Kasten, the idea of the structure of matter always remains a search, a circling around a riddle that will probably never be definitively solved. Perhaps this is precisely the appeal of her work.

"To approach the work of Petra Kasten means to deal with the question of the self-organised whole - to familiarise oneself with the structures that are omnipresent in the artist's world view:
'If all the ordered, scattered and tangled lines of our surroundings were dark strokes, wouldn't the atmosphere appear almost black to us?" (Petra Kasten)"
- EMILIA KRELLMANN -

As a festive opening of the exhibition was not possible, a finissage was held on Saturday, 26 September from 3 pm. Matthias Flügge spoke at the event.


Biographical
Petra Kasten, born in Dresden in 1955, worked as a sales assistant in an art supplies shop after completing her A-levels and undertook evening studies at the HfBK Dresden. Following her full-time degree (painting and graphic art, also at the HfBK Dresden), she founded ‘Leitwolf-Verlag’ in 1983 with Lutz Fleischer and Andreas Hegewald, and ‘Schlüsselbundverlag’ in 1986, again with Lutz Fleischer. Following her masterclass studies under Prof. Günther Horlbeck (1986–88), Petra Kasten became a member of the ‘Obergrabenpresse’. In the 1990s and 2000s, she spent time at various locations as part of various scholarships, including Villa Massimo (Rome), Columbus, Ohio, Beijing, Bad Ems and Koblenz. Since 2017, Petra Kasten has been living and working in Pulsnitz near Dresden.

AI-generated: The image shows an empty exhibition space with a wooden floor and several abstract paintings hanging on the white walls. Natural light streams into the room through a large skylight.Ausstellungsansicht | © Leonhardi-Museum / PR
KI generiert: Das Bild zeigt ein hellblaues Buch auf einer grauen Oberfläche, auf dem der Name "Petra Kasten" in blauen Buchstaben steht. Der Hintergrund ist schlicht und minimalistisch gehalten.

Catalogue

A catalogue was published to accompany the exhibition.

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