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Hanns Schimansky

Microcanonical orchestra

5. Apr 14 29. Jun 14

AI generated: The image shows an abstract black and white composition with several horizontal lines and a dominant black area at the top right. There are also dots and irregular brushstrokes in various parts of the drawing."o. T.", 2012, ink, 27 × 38 cm | © Hanns Schimansky

Hanns Schimansky's medium is paper, and his most important means of expression is the line. His visual language consists of abbreviations, ciphers and signs that he inscribes or inscribes onto his medium - sometimes seemingly freely improvised, but much more often just as seemingly subject to a basic grid of folds. Terms such as "representational", "abstract" or "informal" are meaningless in the face of Schimansky's complex associative structures. For the artist, drawing - and folding - is above all a sensual affair, rather than a sensory one. Schimansky leaves the sensing to the viewer, who is able to translate visual fictions into his own pictorial worlds, fantasies or even scores.

"In their melodic and rhythmic score, Schimansky's drawings are not abstractions or environmental existences 'removed' and manifested by the eye, but seismic expressions of being. Through Schimansky's hand speaks the trembling and eternally fragile breathing existence that has escaped the laws into freedom, like jazz in its utmost play as an improvised music composed in the moment."
- EUGEN BLUME -

Eugen Blume, Director Hamburger Bahnhof, Museum für Gegenwart - Berlin, spoke at the opening on Friday, 4 April at 6 pm.

The artist was present at the opening.

The exhibition at the Leonhardi Museum comprised around 70 drawings and large-format, partly coloured folds that combine graphic and object-like elements.


KI generiert: Das Bild zeigt einen minimalistischen Kunstraum mit weißen Wänden, auf denen mehrere Bilder und Zeichnungen hängen. In der Mitte des Raumes steht ein einzelner Hocker auf einem Holzboden.© Leonhardi-Museum / PR

Biographical information
Hanns Schimansky, born in 1949, studied as a master student under Gerhard Kettner at the Academy of Arts in Berlin. He still lives and works in the city today. He is a member of the Akademie der Künste Berlin, professor at the Kunsthochschule Berlin-Weißensee and winner of the Hans Theo Richter Prize 2012 of the Saxon Academy of Arts.

Catalogue

A catalogue was published to accompany the exhibition.