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Show diversity,
experience education

Hanns Schimansky

Microcanonical orchestra

5. Apr 14 29. Jun 14

Hanns Schimansky’s medium is paper; his primary means of expression is the line. His visual language consists of abbreviations, ciphers and symbols which he inscribes onto or into his medium – at times seemingly freely improvised, but far more often seemingly subject to a basic grid formed by folds. Terms such as ‘representational’, ‘abstract’ or ‘informal’ lose their meaning in the face of Schimansky’s complex web of associations. For the artist, drawing – and folding – is above all a sensory experience, rather than a contemplative one. Schimansky leaves the act of contemplation to the viewer, who is able to translate these visual fictions into their own visual worlds, fantasies or even musical scores.

"In their melodic and rhythmic score, Schimansky's drawings are not abstractions or environmental existences 'removed' and manifested by the eye, but seismic expressions of being. Through Schimansky's hand speaks the trembling and eternally fragile breathing existence that has escaped the laws into freedom, like jazz in its utmost play as an improvised music composed in the moment."
- EUGEN BLUME -

Eugen Blume, Director Hamburger Bahnhof, Museum für Gegenwart - Berlin, spoke at the opening on Friday, 4 April at 6 pm.

The artist was present at the opening.

The exhibition at the Leonhardi Museum comprised around 70 drawings and large-format, partly coloured folds that combine graphic and object-like elements.


KI generiert: Das Bild zeigt einen minimalistischen Kunstraum mit weißen Wänden, auf denen mehrere Bilder und Zeichnungen hängen. In der Mitte des Raumes steht ein einzelner Hocker auf einem Holzboden.© Leonhardi-Museum / PR

Biographical information
Hanns Schimansky, born in 1949, studied as a master student under Gerhard Kettner at the Academy of Arts in Berlin. He still lives and works in the city today. He is a member of the Akademie der Künste Berlin, professor at the Kunsthochschule Berlin-Weißensee and winner of the Hans Theo Richter Prize 2012 of the Saxon Academy of Arts.

AI-generated: The image shows a book with a plain white cover, featuring the name ‘Hanns Schimansky’ alongside an abstract, line-based design. The focus is on the book’s minimalist design.

Catalogue

A catalogue was published to accompany the exhibition.

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