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Show diversity,
experience education

Thomas Matauschek

Still waters

11. Mar 17 5. Jun 17

AI generated: The image shows an abstract representation of a reflected white block in a calm water surface. The colours and shapes create a calm and contemplative atmosphere."Overflow No. 1", 2016, oil on canvas, 60 × 50 cm | © Thomas Matauschek

It is not a classic beauty, the small fire pond between the trees and bushes behind Thomas Matauschek's studio. It is not even particularly interesting or eye-catching, nobody pays any attention to it - except the painter. He repeatedly turns the mundane water basin into the subject of his pictures from different perspectives and in different sections. Sometimes with bright colours in summer, then again grey and cold and wet in autumn, frozen in snow and ice in winter, under the colourless light of early spring, which is not yet warming. Matauschek meticulously examines the still waters from every conceivable angle and in every conceivable state. Yet the analysing, sober gaze of a scientist is mixed here with an almost romantic strategy: the precise, repeated view of a functional, brick-built overflow gradually reveals its very own beauty. The artist re-enchants a rationally and technically disenchanted world by lending inconspicuous things their very own dignity.

With this interest in otherwise unnoticed things, Matauschek moves in an artistic tradition that already formed a counter-model to the "important" subjects and genres of painting in 17th century Dutch painting or the pictures of the Dresden painter Christian Friedrich Gille in the early 19th century. The publicist Johann Heinrich Merck wrote about this in his observations on landscape painting as early as 1771:

"... but if an object, even the most meagre, is visited often and for a long time, viewed from all distances and points of view, walked around at all times of the day and year, one soon realises what is abstract about it and what is accidental. [...] All the secrets and fixed laws of nature are revealed, and one then learns how they illuminate, spread variety and magic over things already seen a thousand times and thus avoid the disgust of the monotonous. Moreover, what insights into the limits of art, of what can and cannot be depicted, if you persevere with an object!"

Dr Holger Birkholz spoke at the opening on Friday, 10 March at 8 pm.


KI generiert: Das Bild zeigt einen modernen Kunstraum mit mehreren Gemälden an den Wänden und einer Einzelbank in der Mitte des Raumes. Der Raum ist hell beleuchtet durch ein großes Oberlicht.© Leonhardi-Museum / PR

Biographical information
Thomas Matauschek was born in Dresden in 1961 and studied painting restoration, painting and graphic art at the Dresden Academy of Fine Arts from 1983 to 1988. He is co-founder of the producers' gallery "Galerie Adlergasse" and today works as a graphic designer for theatres in Magdeburg and Potsdam. The artist lives and works in Dresden and Potsdam.

Catalogue

A catalogue was published to accompany the exhibition.