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Maix Mayer

Notations on the Malerweg and the canteen | barosphere III

23. Mar 19 10. Jun 19

With great poetic ease, Leipzig-based media and conceptual artist Maix Mayer combines the reference systems of the humanities and natural sciences to create media-based experimental arrangements of an individual perception of time, space and history. His works can currently be seen in an extensive solo exhibition at the Leonhardi Museum in Dresden.

AI generated: The image shows a wall covered with numerous torn and overlapping posters. The different layers and colours of the posters give the wall a chaotic and multi-layered texture."Décollage the New Dresden", Poster A0, 2019 | © Maix Mayer

Notations on the Malerweg and the canteen is part of the cycle of works begun in 2015 barosphere on architectural modernism, which began in 2015. The previously realised parts of this cycle have already been shown in the form of various modified "Notations" at the Kunsthalle PLATO Ostrava, the Galerie EIGEN+ART Leipzig, the Kunsthaus Erfurt and the Kunsthalle Rostock. The architectural heritage of Eastern modernism forms the sounding board of the exhibitions - with the structural integration of local architectural "iconographic" places and non-places and their interweaving and reflection within an audiovisual narrative.

In the large hall, the Leonhardi Museum is showing the 80-minute film double projection Notation on Modernism. The third part of this work, Notation on Modernity (Dresden), portrays the current use of the Blasewitz Rowing Centre, a building designed by concrete shell builder Ulrich Müther. On the ground floor, this narrative is supplemented by two wallpaper motifs(Müther and GDR school building type Dresden).

In the watercolour room, the sculpture The Tuber of Modernity can be seen, a 1:1 reproduction of the tuber of the GDR dahlia cultivar Juri-Gagarin. A replica of the Yuri Gagarin dahlia commissioned by Deutsche Kunstblume Sebnitz is on the ground floor. The stamp edition Paar(e) am Strand, which Maix Mayer photographed with friends on the Baltic Sea beach, can also be found here. The icon of socialist pop culture, Walter Womacka's picture "Couple on the Beach", which was widely reproduced in the GDR and also appeared as a stamp, forms the frame of reference here.

The film projection Notation on the Malerwegwhich is projected onto a painting by the romantic landscape painter in the Leonhardi Hall, refers to the genius loci of the exhibition venue and its surroundings. As in the Kunsthalle Rostock, Maix Mayer continues this method in the Leonhardi Museum with three Dresden motifs(distant view of Bohemia, path of the red flag, couple on the beach).

Notation on the canteen is a work that has just been started during the exhibition period and deals with the current discussion about the demolition or conversion of the former Robotron canteen in Dresden.

To accompany the exhibition, the Leonhardi-Museum Dresden has published the comprehensive book barosphere 2015 - 19 with inserted vinyl single The City has been published.

Matthias Flügge spoke at the opening of the exhibition on Friday, 22 March 2019 at 8 pm.

The artist was present at the opening.


KI generiert: Das Bild zeigt einen dunklen Raum, in dem auf zwei große Leinwände Architekturaufnahmen projiziert werden. Es sind einige Stühle und ein Projektor im Vordergrund sichtbar.Ausstellungsansicht | © Leonhardi-Museum / PR

Biographical details
Maix Mayer was born in Leipzig in 1960. He first studied marine biology in Rostock and later photography at the Academy of Visual Arts Leipzig. Mayer completed his doctorate in photography at the University of the Arts in Poznan and held professorships in Leipzig and Szczecin. Among other things, he was a Villa Massimo scholarship holder in Rome, is a member of the Saxon Academy of Arts and has won various art awards. Maix Mayer lives and works in Leipzig.

Catalogue

A catalogue with an inserted vinyl single was published to accompany the exhibition.

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